
Well, all went well at the gig last night - there's us two co-DJs at the end of the night. Thanks to Jon for co-DJing and thanks to all who came. Here's a set list.
Apparently I'm a strict moralist a la Peter Singer, at least according to The Philosophers' Magazine morality quiz, and at least insofar as I apparently personally don't hold much truck with the idea that when it comes to moral principles, there is a deeper moral obligation towards your family and fellow citizens than towards people in general:
Your Moral Parsimony Score is 92%How odd. When I took Stanley Hoffman and J. Bryan Hehir's spectacular course on Ethics and International Relations, I recall agreeing that that communitarian ideals (the moral value of attachment?) might be a major issue with Singer's philosophy. (Although the fact that significant numbers of people besides myself value attachment is morally valuable to me, I suppose. And Singer's strict utilitarian approach still leaves me deeply uncomfortable, but that's a question for a time when I might have more time to reflect on philosophy.) (Quiz taken from fayeth.)
What does this mean?
Moral frameworks can be more or less parsimonious. That is to say, they can employ a wide range of principles, which vary in their application according to circumstances (less parsimonious) or they can employ a small range of principles which apply across a wide range of circumstances without modification (more parsimonious). An example might make this clear. Let's assume that we are committed to the principle that it is a good to reduce suffering. The test of moral parsimony is to see whether this principle is applied simply and without modification or qualification in a number of different circumstances. Supposing, for example, we find that in otherwise identical circumstances, the principle is applied differently if the suffering person is from a different country to our own. This suggests a lack of moral parsimony because a factor which could be taken to be morally irrelevant in an alternative moral framework is here taken to be morally relevant.
How to interpret your score
The higher your percentage score the more parsimonious your moral framework. In other words, a high score is suggestive of a moral framework that comprises a minimal number of moral principles that apply across a range of circumstances and acts. What is a high score? As a rule of thumb, any score above 75% should be considered indicative of a parsimonious moral framework. However, perhaps a better way to think about this is to see how your score compares to other people's scores.
In fact, your score of 92% is significantly higher than the average score of 66%. This suggests that you have utilised a noticeably smaller range of moral principles than average in order to make judgements about the scenarios presented in this test, and that you have tended to judge aspects of the acts and circumstances depicted here to be morally irrelevant that other people consider to be morally relevant.
Moral Parsimony - good or bad?
We make no judgement about whether moral parsimony is a good or bad thing. Some people will think that on balance it is a good thing and that we should strive to minimise the number of moral principles that form our moral frameworks. Others will suspect that moral parsimony is likely to render moral frameworks simplistic and that an overly parsimonious moral framework will leave us unable to deal with the complexity of real circumstances and acts. We'll leave it up to you to decide who is right.
How was your score calculated?
Your score was calculated by combining and averaging your scores in the four categories that appear below.
Geographical Distance
This category has to do with the impact of geographical distance on the application of moral principles. The idea here is to determine whether moral principles are applied equally when dealing with sets of circumstances and acts that differ only in their geographical location in relation to the person making the judgement.
Your score of 83% is somewhat higher than the average score of 73% in this category.
And indeed, it is a high score, which suggests that geographical distance only plays a marginal role in your moral thinking. To the extent that it does play a role - even if only a marginal one - the parsimoniousness of your moral framework is reduced.
Family Relatedness
In this category, we look at the impact of family loyalty and ties on the way in which moral principles are applied. The idea here is to determine whether moral principles are applied without modification or qualification when you're dealing with sets of circumstances and acts that differ only in whether the participants are related through family ties to the person making the judgement.
Your score of 83% is a lot higher than the average score of 56% in this category.
It looks as if issues of family relatedness play have no significant role to play in your thinking about moral issues.
Acts and Omissions
This category has to do with whether there is a difference between the moral status of acting and omitting to act where the consequences are the same in both instances. Consider the following example. Let's assume that on the whole it is a bad thing if a person is poisoned whilst drinking a cola drink. One might then ask whether there is a moral difference between poisoning the coke, on the one hand (an act), and failing to prevent a person from drinking a coke someone else has poisoned, when in a position to do so, on the other (an omission). In this category then, the idea is to determine if moral principles are applied equally when you're dealing with sets of circumstances that differ only in whether the participants have acted or omitted to act.
Your score of 100% is much higher than the average score of 59% in this category.
It seems that you do not think that the distinction between acting and omitting to act has any real moral significance.
Scale
This category has to do with whether scale is a factor in making moral judgements. A simple example will make this clear. Consider a situation where it is possible to save ten lives by sacrificing one life. Is there a moral difference between this choice and one where the numbers of lives involved are different but proportional - for example, saving 100 lives by sacrificing ten? In this category then, the idea is to determine whether moral principles are applied without modification or qualification when you're dealing with sets of circumstances that differ only in their scale, as in the sense described above.
Your score of 100% is significantly higher than the average score of 74% in this category.
It seems that scale, as it is described above, is not an important consideration in your moral worldview. But if, contrary to our findings, it is important, then it decreases the parsimoniousness of your moral framework.
Crooked Timber on Singer
Yup, pimping myself again:
Tonight, 8.30 onwards, I'm DJing (as "Slapdash") with Jon Fong ("Mocopops") at Hideout, 31B Circular Road (it's up the stairs behind Boat Quay). Gimme indie rock!! Oh, and do come up and say hi... if I'm busy trying to cue up the next song I apologise...

I predict a riot. Okay, no I don't, but that damned Kaiser Chiefs song is in my head.

Okay, I'm a sucker for cheesy romantic comedies anyway, but man - Must Love Dogs sounds like it was calculated to make me fork out good money to see it... John Cusack? Check. The smoking hot Diane Lane? Check. (And plus points for a romantic comedy where the female lead is older than the male one.) And dogs being the centre of the plot. Sounds good.
Only worry is that the film has pesky little preschool kids in them. Kids in movies = too many cheeseball "lookhowcutetheyarearen'ttheyaren'tthey" moments. Anyway, it's opening 29 July in the US, so I hope it reaches our shores sometime around then.
Yeah, that's the weak hole in my film reviewing credibility, a willingness to accept cheesy rom-coms. Actually, I feel like most film critics have that specific weak spot: Peter Travers at Rolling Stone will give 4 stars to anything that seems to be trying to be artsy, for instance...
Anyway, if I ever had to write a personal, I guess that "must love dogs" part would have to be part of the whole shebang.
The strangeness of some items sold in Japan never fails to get to me. Such as this Sharanpowan thingy - a pillow? - based on Maria Sharapova's chest area. Or - stranger yet - the one based on her legs.
Yup, I actually carved out some time to go see some performances at the Singapore Arts Festival, so here are my reviews of Mirando Al Cielo, the Gogmagogs, and Impenjarament, all of which were very entertaining.
Another Sunday night, and the weekend slips away, like a lover on a secret assignation, hardly stopping to linger, hardly allowing a moment to savour it. Where does the time go?
I was thinking back on the two Sundays I spent in Germany. Everything is closed on Sundays in Bonn, so on both days I took strolls around the silent town, all shops shuttered, their locks a bulwark against the creeping in of relentless capitalism. The Mango store in the town centre was closed - a sharp contrast to the hordes I passed by at Raffles City yesterday queueing for yet another sale. I've always thought of myself as an urban person, and yet I felt recharged by the whole experience.
I can't say I've had a particularly busy weekend, but for some reason in Singapore I tend to feel the need to scurry around every weekend doing things, being productive. I guess I need to disengage, to flee from the must-dos.
Hmm... so couples trying to get pregnant shouldn't drink tau huey zhui and other such soy products? Ah. Suddenly there's a whole new way of looking at the birth rates in Singapore...
What is perhaps most annoying about the Blogger issue with adding the div{clear:both} tags is that it's been more than 24 hours since many bloggers first blogged about it and Blogger hasn't even admitted that there's a problem. The last post on Blogger Status remains firmly stuck on 17 June 2005, even though there's a post on the Blogger home page dated 24 June 2005 12:07pm jauntily telling people about the launch of Blogger images. Yeah, fine and dandy that you can now upload images via Blogger (even though they won't let you upload onto your own server, apparently) but how useful is that when the look and feel of various Blogger-based blogs is being affected by these new insertions?
Blogger Forum - workarounds for the bug
I caught Impenjarament, a Teater Ekamatra production, at the Esplanade Theatre Studio last night. I've always felt the quality of Singaporean theatre is particularly high, and the show didn't let me down - there was solid acting from the all-male cast, excellent use of space, and a vivid script that director Aidli 'Alin' Mosbit exploits well.
As the title implies, Impenjarament is a play about imprisonment in Singapore; specifically, it depicts the stories of eight inmates as they struggle to deal with life in prison. The prisoners - all acted excellently by the all-male cast - at various times tell the stories behind their imprisonment: the South Asian overstayer who unwittingly had an illegal visa, the old Malay man who committed a crime of passion, the Javanese man who wants desperately to leave the country, the Chinese man who fights, the failed bank robber. The litany of stories is heartbreaking, particularly when, as the inmates themselves show, the moment that led to imprisonment was often borne of hotheadedness, often reversible.
The play pulls no punches about prison life, from the deprivation that makes the smell of grass a luxury to the brutalities of prison rape. But just as inmates make bitter jokes about their conditions to make the conditions more bearable, Impenjarament sprinkles in moments of levity: dance, standup comedy, cross-dressing as weepy mothers and cackling wives.
Perhaps the play's most striking feature is its use of space: the black box of the studio is laid out such that audience members sit interspersed on the path between the inmates' cells and the centre of the stage, while all around surveillance monitors depict a man screaming out questions in the isolation cell as he teeters on the edge of sanity. (Admittedly, the blocking made for some awkward moments for the audience members - the multilingual nature of the play naturally required subtitles, but it wasn't always possible to crook one's head to read the subtitles and look at the prisoner speaking at the same time.)
Getting to know their personal stories naturally makes the prisoners sympathetic characters, and that stands as perhaps the best possible antidote to the play's own undertone of cynicism about whether an ex-convict will be accepted by society: clearly, sensitising an audience to the underlying individuality of convicts will have an impact on how they are treated.
Where Impenjarament falters is when it tries to say something universal about everybody being a prisoner - the message feels heavy-handed and clumsily hammered in, which stands in sharp contrast to the vivid depictions of the individual prisoners. That aside, however, the play is a stark depiction of what it means to be a prisoner in Singapore, and a strong reminder of the humanity of a class of people often treated as monsters.
Also posted on Delta Sierra Arts.
Technorati Tags: theatre, singapore

So Vietnamese Prime Minister Phan Van Khai was in Boston yesterday and took in the chance to stroll around Harvard, leading to that photo of him rubbing the John Harvard statue above. Um - does he not realise that drunk college students like to pee around the statue? Hope he brought hand sanitiser. Of course, they tell tourists that students rub the shoe for good luck before exams...

Yep, it's been confirmed. This Wed, 29 June 2005, I'm going to be DJing again at Hideout, 31B Circular Road near Boat Quay, along with fellow DJ Jon Fong. Indie rock and classic stuff from my side, indie rock and old school pop from his. Be there, or be not there. General madness promised.
Edit: for clarity - I'll be DJing from 8.30pm to 9.30pm and from 10.30-11.30pm.
This is weird, Blogger just started adding these random div tags before and after my posts:
<div style="clear: both;"></div>
<div style="clear:both; padding-bottom: 0.25em;"></div>
Which is annoying, because that adds a whole little bit of white space that was totally not meant to be there. Will investigate.
Technorati Tags: blogger, tags

So Coconut, world's cutest dog, turns one today. That's him, 7 weeks old or so, when he first came into our lives. He was so small then... not even 3 pounds. Now he's a big boy. And his dad loves him lots, and wishes him the happiest of birthdays.
Technorati Tags: westie, dog, birthday
Daniel Altman, an old friend and former TF (and part time DJ, if I recall right), comes up with an article in the New York Times about hotel DJs:
Once it would have been unheard of to see a D.J. anywhere except in a dance club, a radio studio or behind a folding table at a wedding or bar mitzvah. In the last several years, though, D.J.'s have been popping up all over the place - music shops, department stores, bars and now, with apparent success, in hotels.
One of the trailblazers is Stéphane Pompougnac. He began his career in the clubs of Paris, then, in 1997, the two-year-old Hôtel Costes approached him to play in its restaurant. Soon, after trading his dance-floor sound for a loungier style, he was attracting more attention than he had in the clubs.
Ignoring the annoying Times house style of using the apostrophe for the plurals of acronym ("DJs" looks so much cleaner than "D.J.'s" to me), I thought it was a pretty interesting article - funny how Pompugnac has become such a superstar. To be honest, I've not been following the house scene as closely as I used to, so I didn't know about the Hi Hotel and the F Communications connection. It's clear that hotel sets give DJs the chance to be a bit more eclectic, and play something beyond the standout "chillout" set - some soul music, for instance.
I'm in two minds about the Hotel Costes series: it's good music, but it's become such a cliché. And - more a dig at some of the people who play it rather than the series itself - it tends to be played as background music, a form of aural design element. Alex Gimeno, DJ at the Soho Grand, had some good quotes on that related idea:
[Gimeno] also took issue with the volume: "It's a bit low. There's a good chance that some people will think it's a CD player."That dig at the music becoming "wallpaper" is great, partly because the Soho Grand is precisely the kind of place that would appear in Wallpaper* - it's a apt reminder of the importance of musical substance over musical style.
Mr. Gimeno's worst fear, he said, was to become "wallpaper" for the hotel. "I'm constantly looking at the floor, seeing who's coming in, who's going," he said. "I'm also thinking of the workers here. I don't want to bore them to death, either."
I suppose the fear of becoming mere background music is the parallel to the fear that abstract artists had of their art becoming mere decoration:
"A conscious decision to eliminate certain details and include selective bits of personal experiences or perceptual nuances, gives the painting more of a multi-dimension than when it is done directly as a visual recording. This results in a kind of abstraction... and thus avoids the pitfalls of mere decoration." - Wayne ThiebaudTangentially: the Soho Grand does have dog food on room service, and leashes and chew toys and dog bowls. Would that all hotels were this pet-friendly.
Technorati Tags: dj, house, music, hotel
I've never really been in favour of putting clothes on a dog for reasons other than warmth, so I can't decide if this is a cute or cruel way of dressing up a dachshund:

From Dogbuns.com, via puptastic!

So I see there was a fire at Plaza Singapura yesterday, which inspired me to drag this old picture out... On 23 Feb, I went down to Plaza Singapura to pick some stuff up from the optician, and then suddenly, all these grey panels dropped down, blocking the escalator. Fire! At first I thought it was just a fire drill, but peeking in between the panels there was definitely the acrid smell of smoke in the air. Since they didn't ask us to evacuate, but the escalators and lifts were shut off, I stayed on the 4th floor. And two floors below people were merrily eating at Secret Recipe, oblivious to the commotion. Quite funny, really.
Signs that Singapore is where the IOC is going to make its decision on where to host the 2012 Games are slowly creeping up around town. Last week, I passed by 2 billboards at the City Hall busstop extolling the virtues of Madrid as a potential host city. Then Straits Times had a long pullout section on Moscow. And I also picked up a couple of free "London 2012" postcards, featuring a marathon runner running by Tower Bridge. The postcard had the full number of pubs in London featured at the back. Apparently a criterion of a good Olympics host city is the ability to get quality ale. You know, because Guinness gives you strength or something.
As for the sports stars and celebs coming into town, the Brits are bringing in David Beckham (despite the fact that he supposedly first met an alleged lover here in Singapore - does Posh Spice have something to say about that?), and a quick search reveals that New York just announced that Muhammad Ali is coming. AWESOME.
Brendan O'Neill's scathing criticism of Coldplay and bland Brit bands in Salon, all replete with class-warfare overtones, rightfully got slammed by readers - clearly statements such as the one below conflate class issues and the glamour myth of the sexdrugsdrink rockstar with the quality - and the kind - of music generated:
It isn't just Coldplay: British music is awash with bland bands made up of upper-middle-class kids who mean well, don't drink or do drugs or even smoke, and who would make perfect company at a soiree in Downing Street.I will say that that there are quite a few bands in the UK that are mawkish and the twee. Heck, even Coldplay themselves veer close to that edge. But to immediately say that the general civility of the bands is the cause of the blandness of their music is a leap:
What would he have made of something like the Rolling Stones' big free gig in Hyde Park in 1969: all that drug consumption, those empty beer cans tossed onto the greenery, the occasional outbursts of violence? My guess is that [Thom] Yorke would not have approved.Does O'Neill even know that most of the Rolling Stones came from upper-middle-class backgrounds? (Which is a chance to link to the always-punchy Robert Christgau's article on the Stones.) Rock doesn't have to be polite. But it doesn't mean that it has to always be made by people misbehaving.
- Speaking of synthesis, Kottke has a funny post on synaesthesia and cellphone ringtones.
- And Cameron Marlow thinks McDonald's America has a secret menu.
- A solar-powered handphone charger. I really, really want this.

ipod therefore i am
Originally uploaded by maximolly.
Randomly surfing through Flickr, I found this photo of an "i-Buy i-Pod therefore i-Am" graffito in the Lower Haight that I thought nicely captured a troubling aspect of consumer society: that one's self-definition is often all too tied up with the products one owns.
Technorati Tags: ipod, graffiti, descartes
On Friday, moseying on down to a bar and dancing, I was asked the immortal question "are you straight?" I presume that was either a compliment of my dancing skills or a comment on my tight shiny pants. Or both. (The answer, incidentally, is "yes".)
So it amused me that the New York Times, having spread "metrosexual" into the world's vocabulary a few years back, now writes basically the same article, this time calling it 'gay vague' ("Gay or Straight? Hard to Tell"). The article struggles almightily to say just how this 'phenomenon' is different from 'metrosexuality':
All this faux hoo-ha seems to mean, really, is that American men are becoming as style-conscious as their European counterparts. (Remember those "gay or European" Internet quizzes a while back?) And even then I'd venture that it's American men living on the coasts who're doing so.The result is a new gray area that is rendering gaydar - that totally unscientific sixth sense that many people rely on to tell if a man is gay or straight - as outmoded as Windows 2000. It's not that straight men look more stereotypically gay per se, or that out-of-the-closet gay men look straight. What's happening is that many men have migrated to a middle ground where the cues traditionally used to pigeonhole sexual orientation - hair, clothing, voice, body language - are more and more ambiguous. Make jokes about it. Call it what you will: "gay vague" will do. But the poles are melting fast.
The new convergence of gay-vague style is not to be confused with metrosexuality, which steered straight men to a handful of feminine perks like pedicures, scented candles and prettily striped dress shirts. Gay vagueness affects both straight and gay men. It involves more than grooming and clothes. It notably includes an attitude of indifference to having one's sexual orientation misread; hence the breakdown of many people's formerly reliable gaydar.
Brands/bands namedropped in the article that I own at least one item from: 2xist, Modern Amusement, the Bravery ("Honest Mistake" is on the soundtrack to MVP Baseball 2005 - I'd never really thought about the lyrics, but the juxtaposition of an ambiguously gay song as the soundtrack to a sports game is amusing to me), Details magazine, Speedo. Hmm.
The Village Voice on metrosexual backlash
Cross-disciplinary influences always intrigue me: for instance, I love that Murray Gell-Mann named the Eightfold Way in particle physics after the Noble Eightfold Path of Buddhism. And in that regard I felt Steve Jobs' commencement speech at Stanford this year was very inspiring. Particularly this part, where he talked about the influence of auditing a calligraphy course at Reed College:
Reed College at that time offered perhaps the best calligraphy instruction in the country. Throughout the campus every poster, every label on every drawer, was beautifully hand calligraphed. Because I had dropped out and didn't have to take the normal classes, I decided to take a calligraphy class to learn how to do this. I learned about serif and san serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science can't capture, and I found it fascinating.I've always been a big believer in the idea of a liberal arts education, and I've always felt that the greatest advances in learning and technology often draw on expertise completely outside the field. Jobs' speech illustrates those ideas vividly: if all you do when you study is learn what looks immediately "useful", instead of enriching yourself with knowledge from all fields and with different ways of seeing the world, then it becomes near-nigh impossible to make great leaps instead of just incremental improvements.
None of this had even a hope of any practical application in my life. But ten years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, its likely that no personal computer would have them. If I had never dropped out, I would have never dropped in on this calligraphy class, and personal computers might not have the wonderful typography that they do. Of course it was impossible to connect the dots looking forward when I was in college. But it was very, very clear looking backwards ten years later.
Technorati Tags: liberal, arts, education
- Because of the publicity over his inadvertent fake Parents magazine cover hoax, I've discovered Andrew Hearst's website, which is really filled with interesting takes on design - I really like his mockup of Us magazine as Harper's.
- Anyone read Educating Eve, the anti-nativist response to Stephen Pinker's The Language Instinct? Inquiring linguists want to know.
- Lynn Barber visits the Venice Biennale. Funny quote about Tracey Emin making peace with Gilbert and George: "She accused them of always calling her the Slag, but they assured her that they only ever called her the Super Slag and she was appeased."
- Homemade airconditioning.
- Making wine, prison style. Except without the 'going to prison' bit.
Technorati Tags: design, linguistics, art, innovation
How funny is the idea that W. Mark Felt aka Deep Throat was assigned to lead investigations into Deep Throat? (My thanks to old friend Neil for the link.) The plot twists keep coming in - this one almost has a sort of Infernal Affairs feel to it.
Some site admin: I gave in and installed Feedburner, although this site, being a Blogger blog, already has an Atom feed. So if you're using My Yahoo! or Bloglines or some RSS reader and want to subscribe to this site, here is my Feedburner feed. (The old Atom feed still works, of course.) I also took away the Bloglet subscription box because my habit of copyediting my own text on the fly (as it were) wouldn't reflect in the e-mails Bloglet sends out.
If that was too technical - well, you can always visit my blog the good ol' web browser way.
Oh man. Oh man. I got so caught up the new job I totally forgot Bloomsday had passed. (Last year on 16 June I did a series of Bloomsday-related posts, which were a lot of fun.) Here's Stunned.org's tribute to the day: the first chapter of Ulysses all Technorati-tagged. Here's to Joyce, belatedly.
Look, y'all pervs. If you type "singapore blog girl" into Google, the first hit is probably the one you're looking for. Not my baseball or my arts review blogs, even if they're among the first few hits you get...
Actually, I don't have any Singaporean readers. Okay, that's not true. But a good majority (75%) of my readers hail from out of this here country, at least judging by the geographical locations of readers of this site, although of course it could just be friends of mine scattered from across the world. So I'm always intrigued by blogs that are written in Singapore, but often only tangentially about Singapore, such as John & Belle Have a Blog or Snog Blog.
I guess some people use the Internet to connect with immediate neighbours, while others use it to connect outside borders, and who's to say what's better? I suppose I'm part of the latter group, with the "connecting outside Singapore" part being also true of the Internet forums to which I belong - Barbelith, the Sons of Sam Horn, and Boston Sports Media Watch, among others.
Ah, it's finally confirmed. Bloggers.SG, Singapore's first ever blog convention will happen. It will be held on 16 July 2005, in the afternoon. It's all very new to those of us involved in the planning, and the scale of this thing has exploded, so just one favour: tell us if you'll be there. It's just a poll - no need to say who you are, your IC number, or any of that sort of thing.
So, besides Paris Hilton getting engaged to Paris Latsis, Lauren Bush (daughter of
Of course, they could always use Ralph Lauren's original surname, Lipschitz, but you're not really going to buy a Polo Ralph Lipschitz T-shirt are you?
I'm a bit fussy about getting lyrics right, but I'll admit that I once thought the lines "I give in to sin / Because you have to make this life liveable" in Depeche Mode's "Strangelove" were "I give in to sin / Because you have to make this like Liverpool". Hey, Liverpool didn't have that great a rep back in the day...
Meanwhile, I noticed that Slate's "most inappropriate use of a song in an ad" article was being discussed over at John & Belle. I agree with the use of "Lust for Life" to sell cruises as the worst, and I didn't know this bit about "How Soon is Now" being used to sell the Nissan Maxima:
The most outrageous misrepresentation of a song must be the Nissan Maxima commercial featuring the Smiths' 'How Soon Is Now?' A college radio favorite from the late '80s, it has to be one of the most depressing tunes ever used to sell anything. Sample lyrics: 'There's a club if you'd like to go/ you could meet somebody who really loves you/ so you go, and you stand on your own/ and you leave on your own/ and you go home, and you cry/ and you want to die.'"Hey, that fits in with my thoughts on how the Smiths are spectacularly morose. Anyway, in the comments in the discussion there's some debate on whether Lou Reed's "Perfect Day" is or isn't a song about heroin. I say yes.
Technorati Tags: rock, music, ads

The Boston Globe writes up an article on changeable copy signs. Finally I know what those signs are called. Love them.
The BBC is going to do a programme on the origins of words (maybe they'll have a bit on the Malay origins of "ketchup" and "compound"), and they're looking for the earliest dated "sightings" of a few nifty words and phrases, since the OED is equally stumped. Among the list are "back to square one", "handbags at dawn", "on the pull", and "nutmeg" (in the football/soccer sense)
And my favourite one, since I have it emblazoned in big letters on a T-shirt: "phwoar".
Since there's been much talk about blogging properly, here's my easy guide for n00bies on blogging etiquette:
- Always bow before you blog.
- When you blog, do remember that the knife goes in the right hand, and the fork in the left.
- Always end your posts with "thank you, it's been wonderful talking to all of you. Godspeed."
- Polite bloggers NEVER use the words "asshat" or "aardvark". Whether "sexy motherf***er" can be said in polite company remains a matter of much contention. Particularly on the question of how to pronounce asterisks.
- The proper way to end a first blog is with a little kiss. No tongue.
- And, especially, no tongue down there.
- Remember, if you forget which keys to use, a simple little memory trick is that you should start from the outside and work your way inside. Hence, posts like "poiuy!" are the height of decorum.
- When someone visits your blog, be sure to offer drinks.
- If you are a male bl
