The Aristocrats

The Aristocrats is the collective unleashed id of dozens of big-name comedians (George Carlin, Eddie Izzard, Paul Reiser, Sarah Silverman, Jon Stewart, and dozens more) as they all tell the same joke: family walks into a talent agent’s office, and proceeds to show their act.
The underlying joke, of which the title is the punchlinem is a kind of oral tradition of standup (and Penn Jilette notes this when it comes to Penn and Teller’s turn, as he describes their role as semi-outsiders to comedy and how this joke is like a secret handshake), an experiment in seeing how far you can take something. In essence it’s a shaggy dog story. Well, if that story involved shagging the dog. The goal here is to tell the crudest, most vulgar tale possible (see the Aristocrats database for examples of the joke), and the comedians in this documentary clearly relish it - Bob Saget, widely acknowledged as possibly one of the filthiest comics around, does justice (and gives heart attacks to those who only know him from “America’s Funniest Home Videos” or “Full House), but even seemingly mild-mannered comedians such as Paul Reiser sink their teeth into the Aristocrats’ every orifice. The jokes usually span the full range of taboos: scatology, every sexual taboo from bestiality to incest, obscenity profanity and blasphemy.
So as you might expect from an all-star grouping that’s clearly playing the joke for an in crwod, the laughs come fast, furious, and filthy. Taking it to another level for me at least were Sarah Silverman, whose riff on Joe Franklin crossed into some dark, disturbing places, and Hank Azaria, whose telling of the joke involved musing on the possibility of how long the joke could go. And perhaps I’d liked to have seen more black comedians do the joke - Chris Rock talks about the chitlin circuit
But the revelation here is Gilbert Gottfried, whose telling of the joke at Hugh Hefner’s roast in 2001 a short while after Sept 11 shows the cathartic power of all that taboo-smashing. Gottfried in my mind has always been that annoying-voiced comic, but this was genius: he just goes balls to the wall for the joke, gloriously delving into the details even as his fellow comedians are doubling over in laughter (literally, it seemed, in Rob Schneider’s case). It’s a perfect palliative for fear, utter, reckless disregard, and the awe other comedians give Gottfried is well-deserved.




