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Canon Rock
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The New York Timesreveals the identity of "funtwo", the guy playing Pachelbel's Canon in that video above. Somewhere in the middle - around 3:30 or so - the playing gets really, really impressive.
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Comments
Anonymous said…
WOW! im just, speechless it was fantastic! The way he switch notes and how fast he moved his fingers. I am learning how to play the guitar but i kno ill never ever be as good as him. He made it look so esasy but i know of course it kills your fingers.
Anonymous said…
Whoaaa!!! *eyes popping* :-O
Anonymous said…
This guy iz great.
Anonymous said…
There are significant differences between FunTwo's performance and Jerry C's performance. One should listen to the differences in technical interpretation. FunTwo is very metronomic and highly technical where Jerry C employs musical nuances such as diminution or augmentation. An example of where Jerry C pushes the beat slightly is at 3:53 where FunTwo keeps straight time.
Right after the break at 4:19, Jerry C ascends in a scalar fashion to the climax and FunTwo will skip intervalically to the climax.
Tonally, Jerry C uses darker tonality and FunTwo has chosen a brighter tonality.
There are many facits of the musicality of these two excellent performances.
I would like to see more analysis of these artists' interpretations of the Canon Rock from Pachelbel's Canon.
Anonymous said…
Who draws the crowd and plays so loud Baby it's the guitar man. Who's gonna steal the show, you know Baby it's the guitar man...
Language Log discusses the way grammar and semantics/meaning get personified with distinct genders: Someone should investigate the ways in which the grammar/semantics distiction is personified. Grammar is often cast as a fussy schoolteacher (a schoolmarm, in particular: Miss Fidditch) or some other kind of authority figure, a legislator or judge or priest (almost surely male). But grammar can also be seen as empty form, which on its own produces mere chatter without substance - a female stereotype. Meaning, in contrast, is configured either as substantial and significant (so: agentive and male) or as "natural", even earthy (so: passive and female). ( Link , via Feministe ) I suppose there's something in the human condition that makes it easier for us to respond to abstract concepts (such as grammar) when they are described human characteristics, but it's interesting to see how stereotypes can get buried in these personifications. Of course, who pays any attention to
This New York Times article on 50 Cent's life in the sleepy suburb of Farmington, Conn. , is quite wry - But a cook at China Palace said Mr. Jackson could save 10 percent on any order over $30... Ah, the privileges of fame... 10% off Chinese takeout! For the party, Mr. Jackson ordered more than $5,000 worth of liquor, including "a lot of Baccardi," according to the owner of a Farmington liquor store who spoke on the condition of anonymity "to protect his privacy." Sipping Bacardi (ooh, caught a Times misspelling) like it's his birthday. How anonymous could a liquor store owner in a suburban town be? It's not like there're hundreds of liquor stores in the town, I'm guessing. I like how they keep referring to him as Mr. Jackson...
"M ony Mony" - the Billy Idol version, not the Tommy James and the Shondells original - came up on my MP3 playlist today and it reminded me of how people chant the "hey motherf***er" lines in between the lines of the verse. There she comes round singin' Mony Mony ("hey motherf***er...") Here in Singapore, the 'added' lines always sounded like "hey motherf***er hey hey motherf***, but when I was in the US people would chant "hey motherf***er get laid get f***ed", but the general swearing theme remains intact. So I was thinking that this is a very strange thing to spread globally - does anyone know the origins of this "tradition"? Looking it up on Google, I found an entertaining thread about the whole "added lyrics" thing : I did know that people do sing "so good, so good, so good" in between the chorus of "Sweet Caroline", and that "Family Tradition," by Hank Williams Jr., gets pun
Comments
Right after the break at 4:19, Jerry C ascends in a scalar fashion to the climax and FunTwo will skip intervalically to the climax.
Tonally, Jerry C uses darker tonality and FunTwo has chosen a brighter tonality.
There are many facits of the musicality of these two excellent performances.
I would like to see more analysis of these artists' interpretations of the Canon Rock from Pachelbel's Canon.
Baby it's the guitar man.
Who's gonna steal the show, you know
Baby it's the guitar man...
What do you think about this version?
http://www.youtube.com/watch?v=u6pgKwEOyok